By Martin M. Winkler
Arminius the Liberator deals with the advanced glossy reception of Arminius the Cheruscan, as a rule referred to as Hermann. Arminius inflicted one in every of their so much devastating defeats at the Romans within the 12 months nine A.D. through annihilating 3 legions less than the command of Quintilius Varus within the conflict of the Teutoburg woodland, because it is usually if inaccurately referred to as. This publication strains the foundation of the Arminius fable in antiquity and its political, inventive, and renowned advancements because the 19th century. The book's critical topics are the nationalist use and abuse of background and old fantasy in Germany, in particular through the Weimar Republic and nationwide Socialism, the reactions to a discredited ideology concerning Arminius in post-war Europe, and revivals of his delusion within the usa. particular emphasis is at the illustration of Arminius in visible media because the Sixties: from portray and theater to cinema, tv, and computing device animation.
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Additional info for Arminius the Liberator: Myth and Ideology
My quotation from and summary of Taudien’s article is taken from Diederichs, Frühgeschichte deutscher Filmtheorie, 76. Winkler, Cinema and Classical Texts, 4–11, to which I direct interested readers. Int roduc tion 11 particularly the movie camera [later]—demonstrated that there was no centre. The invention of the camera changed the way men saw. 31 The representation of reality in moving images that the film camera showed viewers—and the unreal that it also put before their eyes by means of trickery and special effects—further changed the way people saw and the meaning of what they saw.
Dyson, “Native Revolts in the Roman Empire,” examines five major rebellions, including Arminius’ (253–258), and summarizes their patterns (267–268), for which the personality of a charismatic leader is of particular importance. 14 Goodyear, The Annals of Tacitus, vol. 2, 93 n. 1. 291. On them see Mommsen, Die Örtlichkeit der Varusschlacht, 63–64. 30 Arminius the Liberator Black Sea coast. His collection of five books of Tristia (“Sad Songs” or “Sad Compositions”) were published probably between 8 and 12 ad.
On the legions themselves see Keppie, “Legiones XVII, XVIII, XIX: Exercitus omnium fortissimus”; rpt. in Keppie, Legions and Veterans, 161–165. 119. ), Griechische und lateinische Quellen zur Frühgeschichte Mitteleuropas bis zur Mitte des 1. Jahrtausends u. , collect all important Greek and Latin historical sources on central Europe to late antiquity, with German commentaries; vol. 2 is on Tacitus, Germania. 2 Hans Delbrück, Geschichte der Kriegskunst im Rahmen der politischen Geschichte, vol. 2: Die Germanen, 83.