Black Like Me by John Howard Griffin

By John Howard Griffin

Within the Deep South of the Fifties, journalist John Howard Griffin made up our minds to go the colour line.  utilizing medicine that darkened his epidermis to deep brown, he exchanged his privileged existence as a Southern white guy for the disenfranchised international of an unemployed black man.  His audacious, nonetheless chillingly proper eyewitness heritage is a piece approximately race and humanity-that during this new millennium nonetheless has whatever vital to assert to each American.

Black like me: the definitive Griffin property version, corrected from unique manuscripts / John Howard Griffin; with a foreword through Studs Terkel; historical photos by means of Don Rutledge; and an afterword by way of Robert Bonazzi

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Finally, there is that most normal and commonplace kind of unconscious vision, which we have, at any given moment, of all those parts of the sense-field which we do not select for the purpose of perception. The world is filled with an infinity of objects; but at any given moment our concern is only with a very few of them. From the total visual field we select those sensa which happen to interest us, and leave the rest unattended to and un-perceived. Where vision is normal, it is always physiologically and psychologically possible for us to select the sensa which in fact we do not choose to attend to or perceive.

Close the eyes for a few seconds between each row. Then start again, and name the number of dots, first, in each horizontal line of every figure on the upper and lower halves of the dominoes, next in each vertical line, next in the diagonals. Then complicate the procedure a little by counting the total number of dots in the vertical lines of the upper and lower figures of each domino taken together. Valuable in all cases of defective vision associated with strain and staring, these domino drills, together with the others which will be described in the chapter on 'flashing,' are particularly useful in cases of astigmatism.

Why, then, do so many people in the contemporary world experience discomfort when exposed to light even of relatively low intensity? REASONS FOR THE FEAR OF LIGHT There seem to be two main reasons for this state of things. The first is connected with the silly craze for shutting out the light, described in an earlier 29 paragraph. Medical alarmists and the advertisers, who exploit the opinions of these learned gentlemen for their own profit, have convinced large sections of the public that light is harmful to the eyes.

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