Digital Color Management: Encoding Solutions by Edward J. Giorgianni

By Edward J. Giorgianni

All profitable imaging structures hire a few kind of colour administration for previewing, controlling and adjusting colour through the image-production procedure. Today’s more and more advanced structures pose tough difficulties: they need to aid a variety of units and media having disparate colour houses, and so they needs to offer for the interchange of pictures between distinctive platforms. during this e-book, the authors handle and clear up those difficulties utilizing leading edge equipment of representing colour within the electronic area.

The moment variation of this renowned ebook explains the features and barriers of current colour administration structures and offers finished functional suggestions for speaking colour inside and between imaging platforms, from the best to the main advanced. starting with the basics of colour and human colour conception, the e-book progresses to in-depth analyses of the character of colour photographs, electronic colour encoding, colour administration structures and electronic colour interchange. absolutely revised and up to date, this moment variation of Digital colour Management gains new and multiplied assurance including:

  • electronic screens and digital imaging systems;
  • scene-based and appearance-based colour encoding methods;
  • color administration for electronic cinema;
  • a Unified Paradigm—a finished, built-in color-managed surroundings for the color-imaging industry;
  • four new chapters, new appendices, and greater than eighty new figures.

This ebook is a vital source for engineers, programmers and imaging pros designing and engineering color-imaging platforms and for others easily trying to bring up their knowing of the sphere. Scientists, researchers, complicated undergraduates and graduate scholars concerned about imaging know-how will also locate this publication of important curiosity and usefulness.

Reviews for the 1st edition:

‘The absence of pointless jargon, the impeccable writing kind, the cloth intensity leads simply to 1 end: if you are going to buy one electronic colour e-book this yr, purchase this one.’ W. David Schwaderer, digicam Magazine

‘It [Digital colour administration] fulfils the necessity between engineers and scientists for a entire realizing of colour administration, imaging, media, viewing stipulations, visual appeal and communication.’ Arthur S. Diamond, Imaging News

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A three-beam digital cinema projector, for example, forms images by additively combining modulated intensities of red, green, and blue lights on a projection screen. 5 Additive mixing of red, green, and blue additive color primaries. Mixing red and green forms yellow; mixing red and blue forms magenta; and mixing green and blue forms cyan. Mixing full intensities of red, green, and blue forms white. generates color stimuli, so no other light source is required for viewing. Color CRTs, LCD panels, plasma panels, and similar direct-view display devices form images by generating adjacent pixels of red, green, and blue light.

Generates color stimuli, so no other light source is required for viewing. Color CRTs, LCD panels, plasma panels, and similar direct-view display devices form images by generating adjacent pixels of red, green, and blue light. The mixing of that red, green, and blue light subsequently takes place within the visual system of the observer. 6). Photographic media, for example, use cyan, magenta, and yellow (CMY) imageforming dyes to absorb red, green, and blue light, respectively. Many printing processes use CMY inks plus an additional black ink (the K of CMYK ).

Ulus values. r Most image scanners essentially are densitometers and not colorimeters; their spectral responsivities generally do not correspond to any set of visual color-matching functions. P1: OTA/XYZ c02 P2: ABC JWBK159/Madden October 8, 2008 23:40 Printer Name: Yet to Come 2 Color-Imaging Systems In Chapter 1 it was shown that, for the purposes of color measurement, scenes and other images can be characterized in terms of their color stimuli. In this chapter, the fundamental principles of how such color stimuli can be captured and reproduced by color-imaging systems will be discussed.

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