By Christian Wiman
Each Riven factor is Christian Wiman’s first assortment in seven years, and infrequently has a ebook of poetry so borne the stamp of necessity. even if in stark, haiku-like descriptions of a melanoma ward, surrealistic depictions of a social order coming aside, or fluent, defiant outpourings of compliment, Wiman pushes his language and kinds until eventually they holiday open, revealing startling new truths inside of. The poems are pleased and sorrowful whilst, abrasive and gorgeous, densely actual and credibly mystical. They attest to the human starvation to believe life, even at its so much harrowing, and the ability of paintings to make our such a lot extreme studies not just apprehensible yet transfiguring.
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Extra info for Every Riven Thing
I can't tell you how it labors with its grilled storefronts, air rushing over the facts of diamonds, appliances, the trick carnations. But you already know that. T h e M-16 Vinnie sent - piece by piece - from Vietnam is right where you left it the day you skipped town with the usherette of the Paradise Triple-X Theater. You liked the way she played her flashlight down those rows of men, plaster angels flanked around that screen. Sometimes you'd go fire rounds over the landfill, said it felt better than crystal meth, a hit that leaves a trail of neon, ether.
We'd graduated that year, called the city ours, a real bed of Garden State roses. I've drawn x's over our eyes in the snapshot Vinnie took commencement night, a line of x's over our linked hands. T h e quartet onstage behind us sang a cappella - four brothers from Springfield Ave. spinning in sequined tuxedos, palms outstretched to the crowd, the Latin girls from Ironbound shimmering in the brief conflagration of their beauty, before the kids, before the welfare motels, corridors of cries and exhalations.
Each day I learn more of the miraculous. 's, her gin hallucinations. T h e willow on the lawn is bare, almost flagrant in the wind off Baltimore harbor. She wants me to brush her hair Some mornings I'd hear her sing to herself numbers she knew by heart from nightclubs on the waterfront circuit. I wondered if she watched herself dissolve in the mirror as shadows flickered, then whispering gathered. Floating up the airshaft her hoarse contralto broke over "I Should Care," "Unforgettable," and in that voice everything she remembered - the passage from man to man, a sequence of hands undressing her, letting her fall like the falling syllables of rain she loves, of steam, those trains and ships that leave.