By Claudia Westermann, Monika Weiss, Elif Ayiter, Laura Beloff, Francesco Monico, René Stettler, Roy Ascott, Gerald Bast, Wolfgang Fiel, Margarete Jahrmann
Drawn from the contributions to the ninth foreign attention Reframed study convention held at collage of utilized Arts Vienna in 2008, this book goals for a well timed re-definition of up to date syncretic inquiries into the fields of paintings, technology, expertise and society via conception and perform alike, reframing the idea that of innovation in its courting to development and alter in the context of conception and its transformation. It contains a variety of awesome services and insights of artists, architects, performers, musicians, writers, scientists, and students. one of the authors from not less than 20 international locations are such a lot prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The book comprises complete papers and a DVD, edited through Ruth Schnell, with brief video extracts of the development and accompanying visible reference.
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Additional info for New Realities: Being Syncretic: IXth Consciousness Reframed Conference Vienna 2008 (Edition Angewandte)
Space and Culture, Sage Publications. Encyclopedia Itaú Cultural / Lygia Clark. d. Itaú Cultural www. br // Gumbrecht, H. U. 2004. Production of Presence; What Meaning Cannot Convey, Stanford, Stanford University Press. // Hauser, J. 2008. Who’s Afraid of the InBetween? In J. Hauser, ed. , ed. 1991. Comedy/cinema/theory, Berkley and Los Angeles, University of California Press // Oliveira, A. D. d. Tropicalia; http://tropicalia. d. php // Ryan, S. E. 2008. What is Wearable Technology Art? In Ryan, S.
Media happen to change or upset the relation with the world around you. Each medium displaces its environment and leads to a new and own perception of the world (be it a photo-camera or a 3D-scanner) and an own value system (the status a medium can assume or rewards a game offers). The history of media is the history of controlling integration, change and displacement on many levels. This history’s last milestone is the reduction to yes and no. Each further differentiation in the world of digital media may have to be digitalised into that 34 world.
They are located in an ambiguous territory, somewhere between the collective perception and the individual perception. For example, Pape’s Work Divisor (1968) is a huge white fabric to be worn collectively by individuals. Comparable types of approaches to art, such as the above-mentioned works, can be traced back to the current day works of artists like Brazilian Luisa Paraguai working with wearable technologies, and artists developing conceptual clothing, such as Lucy Orta, Ana Rewakowicz, Alicia Framis, amongst others.